Fourth crowned portrait of HM Queen Elizabeth II facing right, wearing the Girls of Great Britain and Ireland tiara.

The Girls of Great Britain and Ireland tiara was a wedding present in 1947 from her grandmother, Queen Mary, who received it as a gift from the Girls of Great Britain and Ireland in 1893 on the occasion of her marriage to the Duke of York, later George V. Made by E. Wolfe & Co., it was purchased from Garrard & Co. by a committee organised by Lady Eve Greville. In 1914, Mary adapted the tiara to take 13 diamonds in place of the large oriental pearls surmounting the tiara. At first, Elizabeth wore the tiara without its base and pearls but the base was reattached in 1969. The Girls of Great Britain and Ireland Tiara is one of Elizabeth's most recognisable pieces of jewellery due to its widespread use on British banknotes and coinage.

Engraver: Ian Rank-Broadley

Depicts a full-colour motif inspired by the story's original illustrations.

Wanting to see the world, Bunyip Bluegum the koala sets out on his travels, taking only a walking stick. At about lunchtime, feeling more than slightly peckish, he meets Bill Barnacle the sailor and Sam Sawnoff the penguin who are eating a pudding. The pudding is a magic one which, no matter how much one eats it, always reforms into a whole pudding again. He is called Albert, has thin arms and legs and is a bad-tempered, ill-mannered so-and-so into the bargain. His only pleasure is being eaten and on his insistence.

The Magic Pudding: Being The Adventures of Bunyip Bluegum and his friends Bill Barnacle and Sam Sawnoff is an Australian children's book written and illustrated by Norman Lindsay. It is a comic fantasy, and a classic of Australian children's literature.

The story is set in Australia with humans mixing with anthropomorphic animals. It tells of a magic pudding which, no matter how often it is eaten, always reforms in order to be eaten again. It is owned by three companions who must defend it against Pudding Thieves who want it for themselves.

The book is divided into four "slices" instead of chapters. There are many short songs interspersed throughout the text, varying from stories told in rhyme to descriptions of a character's mood or behaviour, and verses of an ongoing sea song.