Description

From the New Kingdom (ca. 1550–1070 B.C.) on, the hippopotamus was connected to the god Seth, and in later times Seth was seen as an evil character. The god Horus was the mythological prototype of the king, and in the myth of Horus and Seth, Horus defeats Seth and ascends the throne they had battled over. Ritual enactments of this story were recorded in about 100 B.C. on the walls of the temple of Edfu. These scenes show Horus, who is often depicted together with the king, harpooning Seth in the shape of a hippopotamus.

The seemingly benign appearance that this figurine presents is deceptive. To the ancient Egyptians, the hippopotamus was one of the most dangerous animals in their world. The huge creatures were a hazard for small fishing boats and other rivercraft. The beast might also be encountered on the waterways in the journey to the afterlife. As such, the hippopotamus was a force of nature that needed to be propitiated and controlled, both in this life and the next. This example was one of a pair found in a shaft associated with the tomb chapel of the steward Senbi II at Meir, an Upper Egyptian site about thirty miles south of modern Asyut. Three of its legs have been restored because they were probably purposely broken to prevent the creature from harming the deceased. The hippo was part of Senbi's burial equipment, which included a canopic box (also in the Metropolitan Museum), a coffin, and numerous models of boats and food production.

Obverse

Depicts a statuette of William the Faience Hippopotamus.

"William", also known as "William the Hippo", is an Egyptian faience hippopotamus statuette from the Middle Kingdom, now in the collection of the Metropolitan Museum of Art in New York City, where it serves as an informal mascot of the museum. Found in a shaft associated with the Upper Egyptian tomb chapel of "The Steward, Senbi", in what is now Meir, William dates from c. 1961 BC – c. 1878 BC, during the reigns of Senusret I and Senusret II. This 20 cm (8 in) figurine in Egyptian faience, a clay-less material, has become popular not only for his endearing appearance, but also because his defining characteristics illustrate many of the most salient facets of craft production in ancient Egypt during this time.

Beneath the blue glaze, the body was painted most common decorative motif for such figurines, open and closed lotus flowers and lotus leaves. These river plants depict the marshes in which the animal lived, but at the same time their flowers also symbolize regeneration and rebirth as they close every night and open again in the morning.

In the early twentieth century, Captain H. M. Raleigh and his family owned a photograph of the hippopotamus, and began to refer to him as William. Raleigh published an article about the hippo for the magazine Punch on March 18, 1931, in which he wrote, "He is described on the back of the frame as "Hippopotamus with Lotus Flowers, Buds and Leaves, XII Dynasty (about 1950 BC), Series VII, Number i, Egyptian Faience;" but to us he is simply William." The article was reprinted in the Metropolitan Museum of Art's Bulletin in June 1931, and the name stuck.

Reverse

Stylized state name (Arab Republic of Egypt) divides denomination in Arabic and English and abbreviation of state name (A.R.E.) below, the date in Arabic (Hijri) and Western (Georgian) divides by a vulture with open wings. Engraver's initials (ECC) below.

In Ancient Egypt, the vulture hieroglyph was the uniliteral sign used for the glottal sound (/ɑː/). The bird was held sacred to Isis in ancient Egyptian religion. The use of the vulture as a symbol of royalty in Egyptian culture and their protection by Pharaonic law made the species common on the streets of Egypt and gave rise to the name "pharaoh's chicken".

5 ٥ جمهورية مصر العربية
LE جـ
A.R.E.
1415 1994 ECC ١٤١٥ ١٩٩٤

Edge

5 Pounds

KM# 786
Characteristics
Type Commemorative Issue (Non-circulating)
Material Silver
Fineness 0.999
Weight 22.5 g
Diameter 39 mm
Thickness -
Shape round
Alignment Medal
Mint
Mexican Mint (Mo)

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