Depicts the state emblem of Uzbekistan, surrounded by the central bank name and date below.

The state emblem of Uzbekistan is in the form of a circle. On the left, there is a cotton plant and to the right wheat borders the coat of arms. Cotton and wheat are the two major agricultural products of the country. It is surmounted by the star of Rub El Hizb (۞), a symbol of Islam, which a majority of Uzbeks profess.

In the centre, a right-facing Huma (or Khumo) is displayed with outstretched wings. This legendary bird symbolizes peace, happiness and striving for freedom. Enclosed by Huma's wings is a depiction of the rising sun over mountains, overlooking green pastures. Two rivers, the Amu Darya and Sir Darya, flow from the mountains and crepuscular rays emanate from the rising sun at the rear of the emblem. The Huma is perched on a banner at the base of the cotton and wheat borders which bears the name of the country in Latin script.

Depicts the Monument to the Independence of Uzbekistan, denomination left.

The Monument to the Independence of Uzbekistan is a Tashkent monument made in honor of the independence of Uzbekistan. At the top of the monument is a metal sphere ornamented with an ornamental pattern, on which a map of Uzbekistan is depicted. Wreath-laying ceremonies are regularly held at the pedestal of the monument on national holidays and state visits.

It was given its current name in the early 1990s, following its renaming from the monument to Vladimir Lenin, which was designed and created in 1974 by Sabir Adylov (1932–2002) and Nikolai Tomsky (1900–1984). In December 2005, during the architectural reconstruction of Mustaqillik Maydoni, the monument was given an additional sculpture, depicting a "Happy Mother" with her baby. By decree of President of Uzbekistan Islam Karimov on February 3, 2006, the newly renovated monument would be renamed to the Monument of Independence and Humanism.

The symbolism of the monument, nicknamed the "globe of Uzbekistan", influenced the monumental art of Uzbekistan in the 1990s–2000s. It was reproduced on posters, murals and sculptures in different Uzbek cities.