Description

Michelangelo Merisi da Caravaggio (1571–1610) was an Italian painter active in Rome for most of his artistic life. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.

Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, darkening shadows and transfixing subjects in bright shafts of light. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly, with live models, preferring to forgo drawings and work directly onto the canvas. His influence on the new Baroque style that emerged from Mannerism was profound. It can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" (or "Caravagesques"), as well as tenebrists or tenebrosi ("shadowists").

Caravaggio's innovations inspired Baroque painting, but the Baroque incorporated the drama of his chiaroscuro without the psychological realism. The style evolved and fashions changed, and Caravaggio fell out of favor. In the 20th century interest in his work revived, and his importance to the development of Western art was reevaluated.

Artist: Uliana Pernazza

Obverse

Caravaggio’s portrait combined with the painting “Basket of Fruit”; at the base of this composition the inscription “ITALIANA” and the name of the designer “U. PERNAZZA”; on the left the arch-shaped inscription “REPUBBLICA”.

Basket of Fruit (c.1599) is a still life painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610), which hangs in the Biblioteca Ambrosiana (Ambrosian Library), Milan. It shows a wicker basket perched on the edge of a ledge. The basket contains a selection of summer fruit.

REPUBBLICA
ITALIANA
U. PERNAZZA

Reverse

Depicts a reproduction of the painting "Head of Medusa". The value below, with the mintmark at right.

Two versions of Medusa were created by Michelangelo Merisi da Caravaggio – one in 1596 and the other in 1597 – depicting the exact moment she was executed by Perseus. He plays with the concept by replacing Medusa's face with his own, as an indication of his immunity to her dreadful gaze. Due to its bizarre and intricate design, the painting is said to complement Caravaggio's unique fascination with violence and realism. It was commissioned by Italian diplomat Francesco Maria del Monte as a means of giving it to the Grand Duke of Tuscany, and is now located in the Uffizi Museum in Florence without signature.

• 1610 MICHELANGELO MERISI • IL CARAVAGGIO 2010
EU 10 RO R

Edge

10 Euro

400th Anniversary of Death of Caravaggio

KM# 332
Characteristics
Type Commemorative Issue (Non-circulating)
Material Silver
Fineness 0.925
Weight 22 g
Diameter 34 mm
Thickness -
Shape round
Alignment Medal
Mint
Italian State Mint and Polygraphic Institute (IPZS)

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